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I hope you guys had a kick out of my April Fools picture. Here's the real announcement. Sorry for the poor quality of the drawings, I somehow ended up crafting this at 3 AM before leaving for a trip the day after.
Anyway, I know it doesn't really say that much, but there are a few loyal followers who, even after 2 years of silence, still regularly ask about my Supercrash. Here's a short explanation of the current and future statuses of the comic. I'm slowly brewing things, in a kinda low-profile fashion, but when it comes back online, you guys will know for sure!
I strongly advise you guys to follow me on any of the most popular social platforms, like Facebook, Tumblr, Twitter and Instagram. I don't update DeviantART as often as I used to, and DA is usually the last I update with stuff, so if you want to make sure you're not missing anything, please consider adding me to your feed!
Thanks, and enjoy!
Anyway, I know it doesn't really say that much, but there are a few loyal followers who, even after 2 years of silence, still regularly ask about my Supercrash. Here's a short explanation of the current and future statuses of the comic. I'm slowly brewing things, in a kinda low-profile fashion, but when it comes back online, you guys will know for sure!
I strongly advise you guys to follow me on any of the most popular social platforms, like Facebook, Tumblr, Twitter and Instagram. I don't update DeviantART as often as I used to, and DA is usually the last I update with stuff, so if you want to make sure you're not missing anything, please consider adding me to your feed!
Thanks, and enjoy!
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© 2015 - 2024 TheBourgyman
Comments25
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Hey mister Yves! It's great seeing you're still continuing to work on Supercrash -- a comic that I've really enjoyed reading when I was only a few years younger.
I do have to agree with you ... Having a well-structured plan for a comic project is extremely important, and I've only experienced just a small part of this large process: all those hours of planning, sketching, drafting, determination, gathering refs and such ... then finally being able to get down to the real stuff: outlining, colors, itty bitty details.
( Ah, now that I touch upon this topic, I've actually come to you for your critique a long time ago. It was for my poorly made comic by err ... my younger, amateur self ... a very long time ago. o.o; Perhaps 5-6 years ago? Anyways, I recall your critique was very, very ... critical, but on-point. At the time, I was very offended to be critiqued like that by an artist of whom I admired his work, especially after reading the 3 Princesses comic. Now that I look back, your input on my amateur comic proved to be very helpful, and I thank you for that, sir -- it's greatly appreciated! )
My apologies, it wasn't my initial intention to digress and ramble like this, but as I've done in the past, I'd appreciate your advice on how to compose a structured plan for any comic project. You make it look easy, especially for a comic project on a bigger scale! ( Of course, I'm dead-wrong in that statement -- success is only the superficial appearance of an object of hard work and determination. ) Just how do you do it? What's your way going about it?
I do have to agree with you ... Having a well-structured plan for a comic project is extremely important, and I've only experienced just a small part of this large process: all those hours of planning, sketching, drafting, determination, gathering refs and such ... then finally being able to get down to the real stuff: outlining, colors, itty bitty details.
( Ah, now that I touch upon this topic, I've actually come to you for your critique a long time ago. It was for my poorly made comic by err ... my younger, amateur self ... a very long time ago. o.o; Perhaps 5-6 years ago? Anyways, I recall your critique was very, very ... critical, but on-point. At the time, I was very offended to be critiqued like that by an artist of whom I admired his work, especially after reading the 3 Princesses comic. Now that I look back, your input on my amateur comic proved to be very helpful, and I thank you for that, sir -- it's greatly appreciated! )
My apologies, it wasn't my initial intention to digress and ramble like this, but as I've done in the past, I'd appreciate your advice on how to compose a structured plan for any comic project. You make it look easy, especially for a comic project on a bigger scale! ( Of course, I'm dead-wrong in that statement -- success is only the superficial appearance of an object of hard work and determination. ) Just how do you do it? What's your way going about it?